浪漫主义时期的诗歌和散文英国

浪漫主义时期的诗歌和散文英国（4篇）

1.浪漫主义时期的诗歌和散文英国 篇一

The Daffodils

William Wordsworth

I wander’d lonely as a cloud

That floats on high o’er vales and hills,

When all at once I saw a crowd,

A host , of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

Continuous as the stars that shine

And twinkle on the Milky way,

They stretch’d in never-ending line

Along the margin of a bay:

Ten thousand saw I at a glance,

Tossing their heads in sprightly dance.

The waves beside them danced, but they

Out-did the sparkling waves in glee:

A poet could not but be gay

In such a jocund company!

E gaze –and gazed –but little thought

What wealth the show to me had brought:

For oft, when on my couch I lie

In vacant or in pensive mood,

They flash upon that inward eye

Which is the bliss of solitude;

And then my heart with pleasure fills,

And dances with the daffodils.

2.浪漫主义时期的诗歌和散文英国 篇二

The view of divine nature, which holds the belief that nature is a sacrosanct organic entity, is the essential characteristic of English romantic poetry.Besides, the view goes against the human centrism and promotes harmonious nature, ecological entity and human’s responsibility towards nature.Romantic poets value the natural outpouring of emotions, which is not simple romantic sentiment or narrow individualistic feelings, but a kind of revolutionary sentiment admiring nature and purity, longing for freedom and harmony.Therefore, in order to strike people’s sympathetic chord of the beauty and harmony, romantic poets expect to present the beauty and harmony of a natural ecological system by natural topic and natural poetic language.In poems, they try to convince that people and nature are only small parts of our planet and that human should reconsider nature and then return to humanity.By their weapons, romantic poets enlarge the ethic concerns with relationship between man and man, man and society into the one with relationship between man and nature, which is so called harmonious social view in modern civilization.

In west worlds, affected by Christian doctrine, people used to stand at the opposite side of nature, so that they could precede a rational and objective analysis.Until 19ths, “Return to Nature”was firstly put forward by English romanticists and“Natural Beauty”frequently presented in many romantic poems which recurred the unity between human and nature.The Lake Poets like Wordsworth, Robert Southey and Samuel Taylor Coleridge outshined as among other English romanticists.They returned to the lake in the mountains in northwestern England, and created many landscape lyrics at that time.After that, Byron, Shelley and Keats rose one after another in their passion towards nature.They returned to nature, advocated nature and celebrated beauties in nature.In other words, the organic connection between human and nature was deeply demonstrated via vivid description of nature in some classic poems, such as The Daffodils by Wordsworth, Ode to the West Wind by Shelley, The Rime of the Ancient Mariner by Coleridge, etc.

In English romantic period, nature spread out in literary works with an unprecedented appearance.At that time, the natural scenery illustrated by romantic poets was uncivilized and pure.With the development of industrialization, manufacturers sprung up like mushrooms all over the country.In order to accumulate fortunes, human society crazily plundered resources from nature to the utmost.As a result, human were gradually far from the pure and tranquil countryside life, what’s worse, natural environment has been destroyed, so has the relationship between human and nature.English romantic poets were aware of it, consequently, not only did they celebrate the beautiful nature in the poems, they also realized the destruction brought by the so-called civilization and appealed to the public that human should protect nature and stop destroying ecological equilibrium, so that a harmonious relationship between human and nature can be achieved.Otherwise, our human would be published severely.The Rime of the Ancient Mariner fully embodied Coleridge’s ecological consciousness.Besides, an ecological forewarning was reflected from this poem that the destiny of human will be extinction, if we keep on plundering nature and slaughtering wild animals.The Rime of the Ancient Mariner told us a tragedy of the ecology ethics.Initially, the ancient mariner kept a friendly relationship with the spirit of nature, an albatross, who saved the life of the old mariner and his shipmates.However, the bird of good luck was inhospitably killed by the ancient mariner.Consequently, people saved by the albatross were published:two hundred shipmates died of thirst and the ancient mariner almost died.As the only Survivor, the ancient mariner didn’t live a peaceful life, but suffered bitter mental tortures.Death might be preferable, in order to allay the remorse in his heart, the ancient mariner had to constantly tell about his painful sufferings to others.Through the description of natural objects and the employment of images, Coleridge revealed the self-centered and short-sighted mind of human, criticized the arrogance and cruelty of human and sent a warning that the harmonious coexistence of mankind with nature was extremely important.

Looking back at the history of human civilization, we will find that the harmonious social view is a global consciousness.Not only in China, but also in England, concerns about ecology and sustainable development have been frequently reflected in Chinese landscape poetry and English romantic poems, especially in the period of industry civilization.The harmonious social view embodied in English romantic poetry improved the simultaneous human revolution and liberation, at the same time;it also indicated the direction of mankind from an ecological perspective:returning to nature, merging into nature and understanding nature.

摘要：英国浪漫主义诗歌的精髓之一就是描写和歌颂大自然, 湖畔诗人华兹华斯、柯勒律治和骚塞在他们的作品中都体现出了对大自然的热爱, 赋有哲理地诠释了人与自然的有机关联, 这正是现代文明所提倡的和谐社会观。

关键词：英国浪漫主义诗歌,人与自然,和谐社会观

参考文献

[1]Chen Jia.A History of English Literature:Romantic Poetry inEarly 19th-century England[M].Beijing:The Commercial Press, 1986.

[2]房宁.社会主义是一种和谐一房宁论文选[C]北京:中国社会科学出版社, 2007 (1) .

[3]胡传明, 赵斌.“和谐社会观”见诸于欧洲空想社会主义之探析[J].前沿, 2007 (8) .

[4]鲁春芳.神圣自然:英国浪漫主义诗歌的生态伦理思想[M].杭州:浙江大学出版社, 2009.

[5]刘守兰.英美名诗解读[M].上海:上海外语教育出版社, 2002:264.

[6]斯炎伟.中外生态文学评论选[M].杭州:浙江工商大学出版社, 2010.

[7]威廉.华兹华斯:《序曲》[M].丁宏, 译.北京:中国对外翻译出版公司, 1999:452-478.

3.浪漫主义时期的诗歌和散文英国 篇三

素，没有华丽的辞藻，没有陈词滥调。华兹华斯生活于欧洲工业全 面发展的时期，工业文明所带来的所谓的资本文明和冷漠的人与人 之间的关系及人们明显的拜金主义，使得诗人开始远离城市的生 活。再加上他接触到了法国卢梭关于“自然神”和“自然人”的 思想，他更加厌恨这个毁坏了自然美的工业社会。他开始长期隐居 于自然，创作了大量赞美自然与人之和谐关系的诗歌。

一、概论诗人与人文思想

人文思想起源于文艺复兴时期。其核心思想是要人们认识到

人类的可贵，提倡人们追求现实生活，追求人的个性的解放和人的 自由平等，重视人的经验和理性，提倡人们认识自然，与自然和谐 相处。农村百姓的生活，农村百姓的辛苦劳作是华兹华斯关注的对 象。他的代表作《孤独的割麦女》就是一个典型。诗的主人翁—— 割麦女表面上看起来很孤单很寂寞，然而她的内心却是善良的，勤 劳的和坚强并且热爱生活的。在诗《孤独的割麦女》中，诗人以在 高原上一边收割一边放声高歌的一位普普通通的年轻姑娘作为该诗 的中心，通过对年轻姑娘的一系列的描写，在平凡的诗句中蕴含 了诗人对劳动人们无限的爱。以下将逐一分析每一诗节所涉及的人 文思想。

唐君毅先生认为“所谓人文思想，即指对于人性、人伦、人道、人格、人之文化及其历史之存在与其价值，意愿全幅加 以肯定尊重，不有意加以忽视，更决不加以抹杀曲解，以免人 同于人以外、人以下之自然物等的思想。它发自人，而其对象 亦是人或属人的东西”。它以人为对象，把人作为主

体存在，关注人性的提升，关注人生命的意义和价值，引导人 们在自由创造和自我完善的过程中，逐渐达到真、善、美的理 想境界”。

4.浪漫主义时期的诗歌和散文英国 篇四

人文散文之《各自膜拜的玛尼石》

质朴的藏人与萨满人，在他们刻下为自我膜拜的玛尼石的那刻起，似乎伟大自然就已构筑起他们的那个内在精神世界和精神圣地，而于终生皆保持沉默风格的玛尼石来说，我则更欢喜称她为梦，生命之梦，信仰之梦。

最美的画作，是画家膜拜的“玛尼石”；最美的丽歌，是歌手膜拜的“玛尼石”；最美的乐曲，是作曲家膜拜的“玛尼石”；最美的诗章，则是诗人膜拜的“玛尼石”；而于藏人萨满人而言，最美的善事，则莫过于是他们终日手中膜拜的那一块石体的玛尼石了。

曾想过，若能拥有一块这样的神圣石头，它便会记载下自己的生活，镌刻下自己的人生轨迹，涂上自己最欢喜的生命彩调，安放在自己最心仪的绝美圣地。如此，生活给予的无端苦楚，就会随着石头的坚贞，在八月被太阳光狠狠暴晒，被宇宙的力量在历经昼夜间轮番洗礼，如此，自己的生命轨迹，也会在与日月的轮回与圆缺中，渐渐回归到它的本位，那是人生最初的色调，生命荣耀的格调。

也曾想过，若能拥有一片天空，那天空会飘荡有自己喜爱的层层洁云，轻盈潇洒，飘逸妩媚，阳光从她头顶把身影一溜量到她脚底，她则无比深情地吻着光的发香，体验着团团温暖给予自己的阵阵惬意，这该是四月草原特有的天然时刻，也是生命萌发出绿色的奔放时刻，亦该是自己回归自我的唯美时刻！

藏人与萨满人留有无数的虔诚之酒，酒洒满他们暖融的心窝，那被操刀镌刻上石头的佛经，是一壶酒，温暖草原人的心，也是他们一生笃定朝拜的吉祥所在：远离天灾，趋避人祸，佑护众生！一切都从一句虔诚的佛经出发，然后沿着四季静静地行进一圈，最终，一切又都回到这句佛经中来。春夏秋冬的往来复去，冷暖冰寒的纵横交替，花开花谢的你退我进，日出日落的此起彼伏，一切能与生命完满和精神协调的步调，高原上那凛冽的寒风，我想是无论何般也不能搅乱这种节奏的，这是一种和谐和精神领域的默然遵守，是一种与自我约定又被神灵早已应允的不远期盼。其实，也许他们头顶那股伟大的宗教法力，已将所谓的生活烦恼与人生痛苦悉数打扫出心田，唯让他们恬活在一个静谧、温暖、平静而祥和的自在世界，在这个世界中，没有外在打扰，生命涵然自在，亦没有心灵亏欠，若说有，且要起身对生命表白的唯一的亏欠，我想只是对佛经的一再默念，以及对信仰的无比尊崇。

生命能有信仰地度过其一生，这本身已是一种前生的不易造化，在科学和宗教似乎都在起着各自神圣作用的当下，精神的悬疑，科学解释不清，于是宗教就凸显出他的神威，宗教无法通悟的佛句，科学则能给予较为合理的答案。其实，所谓膜拜，只是在你对真理与信义的声声默念中，它们化为你饱满生命的一小部分，进而融进你的精神，那是一个神秘世界，从此，你便会不分昼夜，不分晴雨，不分隆冬的凛寒与盛暑的烈焰，按时来到这个世界，膜拜它，恪守它，不论此生或贫或富，或贵或贱，你的一切都在这个世界里静悄悄地走行着，是清净，亦是信仰，是明快的现实体验，亦是高贵的精神寄托。

先前观看过一档标题为《草原》的纪录片后，曾执笔写下过一首名为《玛尼石赞》的简短诗文：

高原上

谁在仰望 繁星的叹息可有回音 那回音是你在午夜静静的守候 不让高原滋生出一抹孤单

经文细密 细密是你柔情的佑护 在自然与信仰之间 你依然恪守如初

稠密连接的笔画 是高原人紧紧连接的情义 坚挺

质朴 沉重

厚实

如果第一次膜拜 你兴许会嘲笑

那在无意间被拯救的灵魂

忆起从前的苦愁也该会粲然一笑呵

历史感赋予你顽强 萨满人与藏人赋予你灵气 不变是你

沉默中伫立的生命传奇

当某天

合十捧起你

我祈愿

那是在一片无垠的草原之上 毕竟

在高原油油的草间挺立的 并非是双目的凝望

乃是一生的信仰„„

也许世界上，只有单纯的自我膜拜，才会构筑起精神的完美整体。

时下，我们有时间，时间却被切成凌乱片段，有空间，空间却被隔为无数“单间”，有文化，文化却被裂为断章残句，有精神，精神却被磨为顽固钝石，那尚在连续的，是五千年的悠悠历史，只因它的竹简尚厚，编绳尚粗，字迹尚清，传承尚在。我想所谓国大，大的并非国土，乃是精神，所谓族大，大的并非数量，乃是信仰，糅合了沧桑与文化的绚丽历史，载进了血泪与荣辱的万卷正义。

我心间常常存有这样一个小小希冀，即希冀你我皆能在各自膜拜的道路上，捡拾起唯属真我的那一块“玛尼石”，在她身上，刻进你丰富的人生，涂上你七彩的梦色，把她摆放在你认定的方向。如此，当你端详她时，你即会消泯掉所有不快；当你默念她时，你即得着不竭力量；当你膜拜她时，你即重拾起对未来的美好憧憬；当你捧掬她时，你即会激起对梦想的无限渴望，这乃是一个人对自我梦想虔诚的内在力量，亦是对自我砥砺的外在磨石。单纯的信仰，会渐次融进一具热忱之躯，请你谨慎地安放好她，并在她身上留下你感念生命后偶尔吟出的顿悟诗句，以及与拥抱真谛时不慎淌流出的隽永华章。